Welcome to a 25-year legacy of surreal and visionary art.
The Millennium Mythos Trilogy’ is more than a gallery, It is an open doorway into a surreal, visionary epic. Leave the ordinary world behind to step onto winding stone paths, sail across golden waters, and explore a deeply connected world of hidden lore and mythology.
.Every painting is a new chapter, every landscape holds a secret, and every pathway leads deeper into the story. Take a breath, take your time, and walk in.. the journey begins here.
The Millennium Mythos Trilogy
25th YEAR
Pyramid 1’ (2002) Oils on Canvas, ‘The Ancient Chamber’
Every great journey requires a first step. Painted over two decades ago, Pyramid 1 acts as a foundational cornerstone of the Millennium Mythos. The stark, endless road pulls the viewer forward, pointing directly toward the ancient, golden monoliths on the horizon. As one of the earliest artifacts of this universe, it represents the very beginning of the long and mysterious path we are still walking today. (Private Collection)
A Secret Genesis Cycle (1996–1999) – *The Genesis Chamber
This is where the universe was born. Painted across six separate panels over three years, this polyptych is the “firstborn” creation that ignited the entire Millennium Mythos Trilogy. It is a primal, legendary landscape where time, the elements, and the shifting seasons seamlessly collide. Packed with myth and surrealism, every inch of this beautiful world invites you to step onto the path and begin the journey. (Oils on Canvas, Private Collection)
Why Sacrifice Rainbows (2000) The Chamber of Eras
Painted at the exact turning of the century, this surreal two-panel diptych bridges the gap between different eras and cultures within the mythos. Look closely at the sweeping landscape, and you will find a backwards “2000” hidden seamlessly within the terrain Is a secret marker of time permanently woven into the universe. It is a vibrant, chronological puzzle that invites the viewer to explore the shifting tides of history. (Oils on Canvas, Private Collection)
Here is My Temple (2000) ‘The Temple Chamber’
While sub-consciously conceived as an inner self-portrait, this key piece of the trilogy is ultimately a sanctuary for the universal human psyche. The canvas maps the secret architecture of the mind, the left and right hemispheres of the brain flank a central spinal island, where ego, intuition, and the quiet inner voice reside. Finished in the year 2000, it stands as a mirror to the landscape within us all. (Oils on Canvas, Private Collection.
Pyramid 2 (2003) The Ancient Chamber
Every epic journey must reach its pinnacle. Painted in 2003, Pyramid 2 stands as the grand finale that officially closes the enclosed Millennium Mythos Trilogy. Unlike the distant monoliths of the first chapter, this piece brings the viewer face-to-face with pure, striking geometry. The monumental golden structure commands a deep sense of awe, acting not as a dead end, but as a massive threshold. It structurally concludes the early chapters while leaving the viewer with a profound sense of wonder about what lies beyond. (Oils on Canvas, Private Collection.
The Expanded Mythos
2-Spirits (c. 2002)
A fascinating piece of the expanded lore. This circular canvas features an intricate, watery labyrinth. It holds a unique physical history in the collection, as it was later bent in half and repainted to become the piece known as ‘Mirrored’. (Oils on Canvas)
Unfinished Millennium (2001)
Acting as the official epilogue to the main trilogy, this vibrant landscape viewed through classical pillars represents a continuing journey. It stands proudly as a “living work in progress,” showing that the edges of this universe are always expanding. (Oils on Canvas)
Blue Bridges (2001)
A beautiful exploration of the world beyond the primary trilogy. This piece features sweeping, monumental blue bridges and aqueducts that connect the distant, unseen corners of the expanding mythos. (Oils on Canvas, Private Collection.
Twin Towers (2003)
A profound piece within the expanded lore, painted as a quiet reflection on a world-changing global event. The stark, sweeping geometry and the solitary, bending sunflower offer a powerful, minimalist meditation on memory and resilience. (Oils on Canvas, Private Collection)
The Calm Sea (2003)
A gentle shift inward. Serving as a reflection on personal life, this canvas captures a vast, tranquil ocean and a solitary white bird in flight over the waves. It represents finding a quiet moment of serenity and emotional calm within an ever-expanding universe. (Oils on Canvas, Private Collection).
Snow (2001)
A deeply personal addition to the expanded lore. Painted in 2001, this wintry, atmospheric landscape quietly depicts the artist alongside their two eldest boys, weaving personal family history directly into the magical realms of the mythos. (Oils on Canvas, Private Collection)
Patience (2003)
A highly meaningful still life from the expanded era. Stepping away from sweeping landscapes, this 2003 piece focuses on intimate, symbolic objects—meditating on the time, dedication, and immense patience required to paint a universe into existence. (Midi Oil on Canvas, Private Collection)
Self-Portrait 1 (1999) – ‘Jennifer’
The foundational face behind the lore. Painted in 1999, just as the genesis of the universe was first unfolding, this piece serves as the vital, supporting self-portrait overseeing the creation of the entire Millennium Mythos Trilogy era. (Oils on Canvas, Private Collection)
Tree of Forming Knowledge (1989)
An early, visionary piece of juvenilia. Long before the main trilogy was born, the seeds of the mythos were already being planted through surreal, deeply imagined landscapes and structures. (Mixed Media)
A Selection of Juvenilia & Genesis Drawings
Genesis Drawings (c. 1997–1998)
The very blueprints of the universe. These raw pen and ink sketches are the exact foundational drawings that eventually became the two left-side panels of ‘A Secret Genesis Cycle’ shown earlier in the gallery. (Pen & Ink)
The Giant Cosmic Tree (c. 1990)
Another brilliant glimpse into the past. This vibrant piece of juvenilia shows an early fascination with monumental, cosmic nature—themes that would later echo powerfully throughout the entire Millennium Mythos. (Mixed Media)